Category: Cruising

Traveling and cruising by boat

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My Second Cruising Sailboat — TERESA

MY PERSONAL CRUISING SAILBOATS

TERESA de Isla Morada

By Reuel Parker

TERESA de ISLA MORADA flying her kite on Chesapeake Bay, 1985

In early 1985 I leased an “abandoned” property on the south side of Windley Key, in Islamorada, Florida. It had three acres, a ruined fishing camp, and a 100-foot private canal and concrete dock. It had vacant lots on both sides, and it was very overgrown with indigenous shrubs and trees, coconut palms and casuarina (Australian) pines. It even had a huge tamarind tree. To me, it looked like Paradise! That was before we discovered the fire ants, huge green scorpions, and bull sharks….

I brought with me two of my closest friends and long-term first mates, Eliot Greenspan and Teresa Rodriguez (for whom I eventually named the new boat). I had just finished my design for a shoal-draft 44’ cat schooner—the Exuma 44. She would become my second cold-molded wood schooner to be built, using a triple-lamination method I had developed, which became the cornerstone for my first book, The New Cold-Molded Boatbuilding. She would also become my second cruising home, and my first shoal-draft wooden centerboard sailboat. All my previous cruising experience had been limited to FISHERS HORNPIPE, which was her diametric opposite.

We cleared a working area on the land, repaired the fish camp, restored water and electricity supply, and pitched a platform tent out on one of the points surrounded on three sides by turquoise water. The camp was a one-room affair, with a derelict kitchen and bathroom. We fixed it up as an office and living/dining area, but the three of us slept in the tent. My late boatbuilding partner Bill Smith, who had worked with me on SARAH in Ft. Pierce in 1984, joined us part time, commuting to the Keys and going home on the weekends. He brought a small tent to sleep in.

We pitched a big open-sided tent for a workshop, and began building the boat outside in the excellent weather typical of a Florida Keys winter.

TERESA in frame, with Tere and Eliot working on her “starter plank”—our tent is just visible in the trees behind

I also hired local people to help us at times, including boatbuilders Doug Gill and Jill Coconaugher, both of whom would work with me on later projects. An Iranian woman named Sholeh joined us near the end, mostly to see what living in a “boatbuilding commune” would be like.

We did have some fun during all the hard work: nude sunbathing and swimming, communal dinners, campfire songfests, love in tents, and windsurfing. I bought a cheap windsurfer at the Dania Marine Flea Market, and Eliot, Tere and I spent frustrating days trying to figure out how to use it… windsurfing is nothing like sailing! It is a fantastic thrill to be screaming over the water, catching a gust, and getting thrown clear over the sail to hit the water at 20 knots! Right next to a 5-foot shark! I finally got to where I could take off from a sitting position on the edge of the dock, and come back 20 minutes later to drop onto the same seat without even getting wet.

The author windsurfing

We really jammed to finish the boat in time to truck her to Rhode Island for the Wooden Boat Show in Newport. I was ripping right through the money I got from the sale of FISHERS HORNPIPE, and I had to promise final payment to some of my helpers upon the sale of the new boat—and I did have every intention of selling her. I was very stressed out near the end, buzzed on massive doses of caffeine, and it was a miracle that Tere and Eliot didn’t kill me in my sleep… except I didn’t have much time for that—near the end we were working day and night.

TERESA being loaded onto a trailer for the trip to Rhode Island; boatbuilder Doug Gill in the foreground

In Rhode Island, we launched TERESA at Point Judith Marina, where I had hauled out the HORNPIPE for her final survey and sale two years previous. The yard owners had become my friends, and I have returned there over the years to visit and work.

TERESA being launched at Point Judith Marina, Rhode Island, in 1985;

With a bouquet of wildflowers to celebrate her birth

I learned the hard way that you are very unlikely to sell a big cruising sailboat at The Wooden Boat Show, and after blowing the last of my money, we departed for the south. On the way we survived Hurricane Gloria in the Mystic River, and capsized in The Mayor’s Cup Schooner Race in a black squall. Despite those misadventures, TERESA turned out to be a fantastic sailboat. She was fast, stiff, surprisingly weatherly, easy and fun to sail, and comfortable to live on, though not quite as comfortable as the HORNPIPE (very few boats are). She easily made 8 knots motoring with her twin Yamaha 9.9hp 4-stroke outboards in wells, to the amazement of all the boats we passed in the Intracoastal Waterway. With the outboards tilted up and hull-plugs in place, and nothing dragging in the water, TERESA was a sailing rocket ship, easily reaching speeds of 10 knots on a reach (her hull speed was 8.5 knots).

Back in Florida, we picked up some additional ballast in Ft. Pierce, and headed for the Bahamas. We had an excellent first cruise, and the difference in speed and draft from my first boat made cruising a whole new experience. With her draft of 2’ 9” TERESA could navigate small boat channels, lagoons, tidal creeks, and cross dry sand bars at high tide. We had to wave off conventional Tupperware cruisers that tried to follow us, thinking their ridiculous deep draft could manage such a feat. We learned (from experience) that if we ran aground, two of us could jump in the water, put our backs on each side of the bow, and simply push her off using our legs.

TERESA on the beach at Paradise Island with crewmembers Martha on the beach, and Sarah on the forward coachroof

TERESA had a traditional layout, with a “day” cabin aft, and “night” cabin forward. She had four watertight bulkheads as a safety feature, a concept I continue to employ in all my designs. Any cabin can be flooded to the max, and she can still sail or motor home. Her L-shaped galley was large and open, and the whole boat was well-lit and -ventilated. She was a joy to live on.

Crewmembers Pagan Hill and Martha Fitzgerald making lunch in TERESA’s large L-shaped galley with slide-out cutting board (foreground);

Note the charts stored overhead between coachroof beams

TERESA was my first boat to be tiller-steered, and I came to like that at least as much as wheel steering—it is direct and positive, providing excellent awareness and feedback… perhaps a little too much feedback, as she has pretty severe weather helm in strong winds if you neglect to reef her on time! You can steer in reverse also, by simply leaving the tiller opposite the direction you want the stern to go. Water pressure will hold it there.

Pagan and Martha sailing in the Bahamas… Paradise Found!

Note the “tiller comb” used to lock the helm; Pagan has sailed with me since age nine;

Martha went on to become a professional yacht captain – she had never sailed before

In 1986, my first mate Eliot Greenspan and I sailed TERESA downwind across the Gulf Stream in a norther, averaging 10.6 knots against the current (Bimini to Miami). The amazing thing about this passage was that TERESA steered herself! By easing the reefed sails out just forward of the beam – wing and wing – and locking the tiller in the tiller comb, she was perfectly self-steering. I have never sailed another boat that could self-steer downwind. I have never even heard of one! Well … square riggers.

TERESA sailing wing & wing

TERESA running at over 10 knots across the Gulf Stream during a norther;

Eliot at the helm

I lived on and cruised in TERESA for two years, finally selling her to a young couple in the Florida Keys in 1987, who employed her as a six-pack charter boat for the Boy Scouts of America under the name KANGA (they named their dinghy ROO, for which I will never forgive them!). I modified her interior, creating bunk beds in the foc’s’le for the scouts. They in turn sold her to Dave Day, who sailed her to Cuba, and proved how strong her hull is by being driven across two coral reefs in a violent norther, suffering no damage beyond scratches. He eventually sold her to Todd Frizzelle (of Sea Island Boatbuilders), who re-powered her with a Yanmar diesel inboard under the name SHEERWATER, and did a great deal of maintenance and upgrading.

SHEERWATER (ex-TERESA) sailing in the Bahamas

under Todd and Melissa Frizzelle’s ownership

Todd sold her to John Rennell, who renamed her ISLAND GIRL, and he in turn sold her for the last time, to a friend on Man’O’War Cay in the Abacos.  

OLYMPUS DIGITAL CAMERA

ISLAND GIRL ( ex-TERESA) in Elizabeth Harbor, Bahamas, in 2012

When I was cruising in IBIS in 2012, we got to go sailing on ISLAND GIRL, and she blew my doors off by accelerating to 10 knots on a beam reach in Elizabeth Harbor, putting her lee rail in the turquoise water! What a sweet, sweet ride!

The Exuma 44 TERESA’s Particulars:

L.O.A.                     43’ 9”

L.W.L.                              40’

BEAM                               12’

DRAFT                             2’ 8” board up/6’ 1” board down

SAIL AREA                       856 sq. ft. working/1520 sq. ft. max.

S A TO DISP                     17.45 (working sail)

HULL SPEED                   8.5 knots

DISPLACEMENT               22,000 lbs dry

BALLAST                          7,000 lbs. lead in a casting under the keel and internal

TYPE                                Shoal draft centerboard cat schooner

POWER                            Twin 9.9hp Yamaha 4-cycle outboards in wells (as built)

RIG                                 Cat schooner/Fully battened sails/Self-tending

ACCOMMODATIONS        For five/Twin cabins separated by watertight bulkheads/

                                      Vee berths for two; double under the bridge deck/Settee aft

CONSTRUCTION              Cold molded wood/epoxy composite

TERESA sailing in Nassau Harbor in 1986, with my dory GANDY DANCER in the stern davits—photo by Capt. John on POOR BUTTLERFLY

TERESA was my “trial horse”—she survived a hurricane (at anchor in the Mystic River, CT), capsized in a race (Mayor’s Cup, NYC), was struck by lightning (Islamorada), and took me on two excellent cruises to the Bahamas and up and down the Atlantic coast. She survived several collisions with reefs, and could be beached just by putting her bow ashore and dropping her centerboard. I miss her—in many ways she was she was the epitome of pragmatic beauty… and she taught me enough to fill a book. She was also the simplest and handiest of all my cruising boats to sail—she was wonderful to single-hand, although definitely not an old man’s boat… she was a wildcat!

TERESA was destroyed in her second hurricane: Hurricane Dorian, in 2019, at Man’O’War Cay, Bahamas.

Now, as old age overtakes me, if I could have any one of my sailboats back, it would probably be TERESA. Old or not – I think I could still sail the hell out of her! With a little female help… .

—Reuel Parker, revised 7/14/2024

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THE LORCHA 50 T’IEN HOU

By Reuel Parker

T’IEN HOU sailing to Cat Island, Bahamas, in 2005

In 1999, when it looked like I might actually survive stage #4 cancer, I did two things: I bought a house in Maine, and I started construction on my fifth cruising sailboat. The house was a mistake (houses are always a mistake—at least for me). Doing these two things simultaneously was downright stupid. I spread myself too thin, both financially and energy-wise.

I wanted to try something very different for this boat: I had been interested for years in lorchas—a type of sailing vessel that appeared in China during the 16th century. In the excellent book Junks and Sampans of the Yangtze, by G. R. G. Worcester, there are several pages devoted to these distinctive ships. When the Portuguese first arrived in China, they were fascinated by the seagoing junks, while the Chinese were equally fascinated by the Portuguese caravels. By the early 1600’s, a new vessel-type evolved using an easternized caravel hull with a westernized version of the junk rig. The new hybrid outperformed both the traditional junk and the traditional caravel, and heavily armed with cannons, lorchas ruled the South China Sea for the following three centuries. For my lorcha I chose the name T’IEN HOU from the Chinese “Goddess of Heaven,” protector of mariners.

T’IEN HOU’s original lorcha sail plan

Unfortunately, I made an error of judgment in trying to marry the lorcha’s three-masted lug rig to a large Sea Bright Skiff hull (in the early 20th-century, many Sea Bright Skiffs reached 50-feet). While the hull has excellent well-proven sea-keeping abilities, it is also initially tender; and the Chinese lug rig, with tremendous sail area up high, requires an extremely stiff hull. Chinese junks – and Portuguese Caravels – were beamy, heavy and very stiff).  

I had been studying the Chinese rig for years, had designed a number of vessels utilizing it, but I had stuck with Blondie Hasler’s “westernized” adaptations (from Practical Junk Rig, by Hasler & McLeod)—not true Chinese rigs—which are very different in several key ways. Chinese junks had incredible controls over sail shape—many more than are used in any western rig short of the square-rigged ship. But junks also had huge crews to manage all those controls. In early 2002 I sailed T’IEN HOU to the Bahamas with first mate Jenny Nelson (see WoodenBoat Blogs #8 & #30)… and when we returned stateside, the first thing I did was have the yard pull that foremast out! I tried a couple of alternate ideas before converting to an English-style gaff ketch rig, with sprit-mizzen—which worked perfectly. Part of what I learned is that I am really not Chinese, despite my love of things Oriental.

Regardless of the initial tenderness of the Sea Bright hull, it is powerfully self-righting, becoming increasingly stiff as it heels. I designed the hull to be built with multiple hard chines (the originals were lapstrake), using cold-molded plywood/epoxy construction. The hull included enormous integral tanks (300 gallons of water and 210 gallons of fuel), which when full, further increased the hull’s self-righting abilities. I also integrated the bulwarks into the hull construction, utilizing a hollow A-frame profile, and I incorporated foam-core decks as I had on my Virginia Pilot Schooner LEOPARD (and all subsequent designs).

T’IEN HOU’s hull under construction at Riverside in Ft. Pierce, Florida

I incorporated another new design concept (for me) — a retracting wing keel, made of steel and filled with lead. With this 3,500 lb keel lowered, and tanks full, T’IEN HOU is self-righting from a nearly (but not quite) inverted position. The keel employs a NACA 0009 foil shape with a large delta wing below it. Combined with her lead-filled hollow box keel, the vessel has very good windward ability.

T’IEN HOU in the slings at Riverside, showing her delta-wing retracting foil-shaped keel; her tender is a 9-foot sailing Abaco Dinghy

My dear friend Delfine (Reuel’s Angel #1) helped me build T’IEN HOU, and later sailed with me as first mate. Davina joined us during the second winter of construction, and during T’IEN HOU’s major re-fit (2004/2005), Mavis joined us, comprising the self-named boatbuilding/sailing trio Reuel’s Angels.

At 50’ LOD (65-feet LOA) with flush decks, T’IEN HOU is a big, comfortable live-aboard boat—indeed, she is by far the most comfortable home I have ever known, on land or on sea. She was my first boat to have a large, private master’s aft cabin, complete with stern gallery windows, plus a huge Oriental-style saloon, a cargo hold, and foc’s’le for two crew. Another excellent innovation was placing the head/shower in the cockpit—OUT of the boat’s interior!. No more stinky-poo!

The master’s aft cabin with queen-sized berth

The foc’s’le for two crew

The trunk for the retracting wing keel divided the settee area in half, as well as separating the two huge 150 gallon water tanks. T’IEN HOU was virtually a sailing cistern! Because I dislike western seating, I created two big double berths in the saloon, with drop-leaf tables hinged on the keel trunk. With four guests sleeping in the “play-pens,” T’IEN HOU accommodates eight people. In Maine one summer, a middle-aged couple came to visit, moved into the saloon, and didn’t want to leave!

T’IEN HOU’s main saloon—galley to port; office/nav station to starboard

Delfine in T’IEN HOU’s galley

I lived on board T’IEN HOU intermittently for five years, sailing her to Maine twice, and to the Bahamas four times. The best trip by far—indeed one of the best trips of my life—was taking the Angels to the Bahamas in 2005. We navigated across Andros Island through North Bight and Middle Bight, in water that was only three feet deep at high tide in several places. T’IEN HOU draws three feet!  

Davina and Delfine weighing anchor in North Bight, Andros, Bahamas, using a cast bronze windlass from Lunenberg, Nova Scotia – the world’s finest kind

Davina on T’IEN HOU’s stern davits

The author and Reuel’s Angels (Mavis, Davina & Delfine) in the Bahamas

As happens to the best of us, I eventually found myself strapped for cash, and unable to sell my expensively remodeled mudfront house in Maine, I had to sell T’IEN HOU. This I was loath to do, as I would have been content to spend the rest of my life living on board. (I did eventually sell the house.) I was also coming to understand that either I needed permanent crew (a forth wife?) or a smaller boat! And looking through my log books, it is clear to me that migrating along the entire US east coast (and much of the Intracoastal Waterway) twice a year was something I really didn’t want to do anymore (I have since changed my mind – what else is there?). The Bahamas are a different story – I want to be there as much as I can. There is no better place to live – or die – than the Out Islands.

I sold T’IEN HOU to an ocean engineer named David McGehee, who sailed her to Puerto Rico, the Virgin Islands, and into the Caribbean.

T’IEN HOU sailing off the coast of Maine, showing off her gaff ketch/sprit mizzen/twin heads’l rig; I often single-handed her under stays’l and mizzen as a motor sailer

After her rig conversion, T’IEN HOU’s performance under sail was extraordinary, as was her efficiency under power (she can cruise at 8 knots burning about one gallon per hour). I got caught single-handing in a strong cold-front on Exuma Sound (open ocean) in the Bahamas, and sailed her on several points of sail, in 30-plus-knot winds and 8- to 10-foot seas. She handled beautifully, verifying all I had learned in studying the Sea Bright Skiffs. For single-handing, I motorsailed under stays’l and mizzen, adding the roller-furling yankee jib to the mix when appropriate. But the huge gaff mains’l was too much sail for one man alone, as I learned single-handing in Nantucket Sound in 2005 when I got slammed by an un-forecast front packing gale-force winds. I was under full sail when it hit, and I think I came as close to losing my life as I ever have! Nevertheless, with even one crewmember, T’IEN HOU is a perfect cruising home, capable of sailing anywhere in the world. I miss her desperately.

The author relaxing at the helm of T’IEN HOU in the Bahamas in 2005

2/21/2015, Saint Lucie Village, and again 4/15/2024

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THE MAYOR OF JOE’S SOUND, BAHAMAS

By Reuel Parker

The Mayor of Joe’s Sound with supper (a beautiful, mature queen conch)

On March 26, 2012, I set sail from George Town, Great Exuma, Bahamas, for Cape Santa Maria, on the north end of Long Island, about 25 miles away as the seagull flies. I was sailing in my sharpie schooner IBIS, with Canadian Joee Sym as first mate. Because this was a windward passage, and because IBIS is flat-bottomed with a centerboard, it was a somewhat rough beat to windward, and we motorsailed to get there early enough to seek out a good anchorage.

Chart for the passage from Great Exuma to Long Island (North Channel Rocks to Cape Santa Maria)

We initially anchored just below the Cape, in its lee, but the large ocean swell wrapping around the top of the Cape rolled us so hard that we had to get out of there. We tried to enter a small, protected inner harbor that my trusty Yachtsman’s Guide to the Bahamas (Harry Kline’s old guide) indicated we should be able to enter with our 2 ½-foot draft, but the entrance was silted in (see sketch chart below).

We had been told by cruisers back in George Town about Joe’s Sound—a shallow estuary about five miles south of Cape Santa Maria, with a hard to see, somewhat tricky entrance between two dangerous rocky cays. With very little daylight remaining, we cruised along the shoreline looking for the entrance, and the only thing we saw that could be it was so hairy I couldn’t believe it! “Somewhat tricky?!?”

The Entrance to Joe’s Sound, looking out from inside—the dark water colors indicate sharp rocks just inches below the surface—the turquoise channel runs from left (outside) to right (inside), and involves a series of zigzag turns

Entering the inlet involved approaching the rocky shore just to the south, avoiding a brown patch of very sharp rocks just inches below the surface, zigzagging around a similarly dangerous shoal extending from the north side, running dangerously close to the rocky shore on the south side (in strong winds and big swell), approaching very close inside the exposed rocks immediately to the north, hugging the rocky north shore to avoid another shoal extending north from the south shore, then hanging a sharp right and left into the Sound! My notes in the Log state: “tight sphincter—worst inlet I ever did!!” And I have navigated almost every inlet on the east coast of the United States—from Halifax, Nova Scotia to the Dry Tortugas of the Florida Keys, including dozens of inlets in the Bahamas. I didn’t have time to register the depth—I was too busy watching the rocks to look at the depth sounder. The channel was maybe thirty feet wide, and shallow, with a rocky bottom. Navigating shallows in the Tropics is done by eyeball—the depth sounder is rarely involved. By the time you even look at it, it may be too late! You have to read the bottom by eye. A bow-lookout is usually essential—one who knows what they are doing, using well-rehearsed hand signals. IBIS’s draft of 2’ 6” gave us fantastic freedom and access.

The south part of Joe’s Sound, looking west from Hog Island—at low tide the dark turquoise channel carries four feet of water, and the light turquoise water one foot

The sketch chart below, from Yachtsman’s Guide to the Bahamas, shows the kind of dangers the cruiser must cope with in exploring the beautiful waters of the islands. The “plus” marks designate hard, rocky reefs just below the surface. The last part of the old Bahamian riddle says “brown, brown, run aground.” A draft of three feet or less is ideal for “gunkholing” here. A draft of four or more feet will have limited access to many of the most remote and beautiful anchorages. For example, the entrance channel to Calabash Bay shown below, runs right through a narrow opening in the reef. There are no lights, no channel markers, and no range markers. To enter here, you must have good light to “read” the bottom and stay in the channel. This is typical of navigating everywhere in the Bahamas. Kline’s aid for the channel is to take a 90-degree magnetic compass bearing on the house on the beach, and follow that line into the bay. Hopefully that house survived the last hurricane!

Harry Kline’s sketch chart from The Yachtsman’s Guide to the Bahamas for Northern Long Island—soundings are in feet

Once inside Joe’s Sound, we were in calm, still waters, protected from waves and swell, but with enough wind to keep the mosquitoes and no-see-ums at bay. It was beautiful! There were maybe a half-dozen boats anchored in the Sound—mostly small multihulls—but with a couple of powerboats and shoal-draft sailboats. Parts of the Sound were a few hundred feet wide, and parts were narrow mangrove channels. There was 6 feet to 8 feet of water in a “hole” near the south end, shoaling to much less trending north.

IBIS anchored in the tidal channel near the middle of Joe’s Sound—while the channel carried four feet of water, it was very narrow—and the water on either side carried less than a foot at low tide—as evidenced by the mangrove saplings

Anchored near us were a small sailboat and a modest houseboat. The owner of both rowed over to bid us welcome, and introduced himself as “the Mayor of Joe’s Sound.” Pat, then 60 years old and looking 40, is the captain of an Alden wooden charter schooner working out of New York in the summer, and living the idyllic life of a vagabond sailor in winter. He spends most of his time diving, and took my first mate Joee out to the reef next morning to stock up on the best seafood in the world!

An unusual conch that escaped my bucket and got away

Joee snorkeling for supper

They came back with conch, fish and lobster (spiny crayfish), and we ate like royalty for a week. They even speared a lion fish—a very dangerous invasive species which has poisonous spines and no serious predators—supposedly very tasty, but risky to clean!

Pat with a “bug”—Bahamian lobster—(right) and an unknown critter (left)

We stayed for two days, swimming, diving and going for long walks along the beach and local roads. We saw almost no-one. This is one of the quietest and most peaceful places anywhere, and I could see why Pat lives here half of each year, to offset the intensity of running a charter schooner in New York.

Joe’s Sound, with my 18th-century Swedish periagua tender on the beach of Hog Cay

We departed Joe’s Sound on March 29, and sailed south along the pristine west coast of Long Island for a week of living in paradise. I had never done this before, having only cruised the windward east coast thirty years previously (1982) in my deep-draft cutter FISHERS HORNPIPE. The Bight of Long Island is very quiet and peaceful, with very few other cruising boats in evidence, even though there are at least a half-dozen beautiful, protected anchorages. There are miles of perfect beaches with occasional settlements having stores, bars, restaurants and marinas—everything I could want or need. I even found Wi-Fi (a mixed blessing)! You had to buy a drink to use it for free….

If fate is kind enough to allow me to build and cruise in another boat (I sold IBIS), I will definitely return to Long Island, and to Joe’s Sound—and I hope to find the Mayor alive and well.

11/16/2014, Saint Lucie Village, Florida

COMPLETE PLANS FOR THE SHARPIE SCHOONER IBIS AND FOR THE PERIAGUA 14 CAN BE PURCHASED FROM THIS WEBSITE

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THE PILOT SCHOONER 40C

A Project in Search of a New Home

By Reuel B. Parker

Sail Plan for the Pilot Schooner 40C

In early 2020 I met Chelsea Ragland, who was crewing for Danger Charters. My close friend Wayne Fox, who owned Danger, had put me in touch with Chelsea because she wanted to learn about boatbuilding. Danger runs three charter schooners of my design; one of which I built back in 1984 (the Exuma 52 SARAH).

At the time I was getting ready to sail PEREGRINE, my new cold-molded centerboard ketch, on a cruise to the Bahamas. Chelsea had never been to the islands, so she signed on as crew, giving us lots of time to talk about boatbuilding while enjoying paradise. We chanced to arrive in Bimini 12 hours before the Bahamian government closed the entire country to tourism (due to the Covid 19 pandemic), which made our cruise abbreviated, though we still managed to sail to some beautiful places … especially remote ones where we would have minimal contact with the native population, avoiding the strict regulations the government put into effect.

After we returned stateside, Chelsea contacted a childhood friend from her native Texas, and proposed that she build a cruising sailboat for him, and that I design it and help make it happen. Since I live in midcoast Maine during the summer season, Chelsea and her friend came to visit me at home, where we discussed the boatbuilding project. We chose my Pilot Schooner designs as a “point of departure,” and together worked out the parameters that would satisfy our client, and implement Chelsea’s boatbuilding dream.

For the schooner’s design, I worked from my Pilot Schooner 45 plans, creating a smaller version. The vessel that emerged would be cold-molded in Port Orford cedar, supplied by Americas Woods, a distributor of boatbuilding lumber in Washington, Maine. Construction would be triple-laminated using the methods described in my first book, The New Cold-Molded Boatbuilding.

Partial Lines for the Pilot Schooner 40C

Specifications are as follows:

L.O.A.             40′

L. EXT.           54′

L.W.L.             35′ 6 1/2″

BEAM             12′

DRAFT            4′ 2”

DISPL.             27,500 lbs. (13 U.S. tons) Laden

BALLAST         9,500 lbs. Lead (3,750 lbs outside; 5,000 lbs inside; remainder in tankage and trim)

SAIL AREA       914 sq ft working/1,254 sq ft total (light air)

TYPE                Full-keel pilot schooner yacht based on early 19th-century

Virginia models (Baltimore Clippers). Hull Speed: 8 knots

POWER            Inboard diesel, 40 to 60 H.P., under cockpit well

RIG                  Free-standing gaff rigged schooner with overlapping fores’l, self-tending jib and light air fisherman tops’l. The jib may be set flying with luff tension provided by a downhaul; or may use roller furling. The traditional jib is lowered by luffing up, releasing the halyard and tack downhaul, and stuffing the sail and club-foot into the fore-hatch. The roller furling jib may have doubled sheets or may be sheeted to the boom shown. The mains’l clew may be seized to a ring which slides forward when the outhaul is slacked, bringing the mains’l on deck OR may be reefed/furled to the boom if full-length battens are employed (suggested). This rig is one of the simplest ever conceived; yet it has power, versatility, practicality and economy. Howard Chapelle felt it should be revived for use in cruising yachts because of these qualities, without modification. So do I!

ACCOMMODATIONS      Interiors (2) shown sleep five. Double cabin aft. Head/shower forward. This is a comfortable, practical vessel, capable of extended ocean cruising anywhere in the world. Water capacity is 100 gal or more with a second tank under the hold. Fuel capacity is 200 gallons or 300 gallons (Alt. Plan).

CONSTRUCTION       Cold-molded wood/epoxy/fabric: Hull — double diagonal 5/16″

marine ply or solid planks over 3/4″ tongue and groove lumber. Outside Xynole-polyester covered; two layers below boot top. Decks – 1/2″ ply over sawn beams, Xynole-polyester covered.  Coachroofs — 3/8″ ply. Masts are hollow octagonal free-standing Douglas fir, booms and gaffs are solid Douglas fir.  Interior — painted plywood trimmed with varnished hardwoods.

I designed an interior plan based on our client’s parameters, but later changed it to the more traditional arrangement shown here:

Plan & Inboard Profile for the Pilot Schooner 40C

I elected to divide the ballast between a steel box keel filled with fitted blocks of solid lead, and inside ballast placed on the keel below the cabin sole. With a ballast ratio of 34%, this will be a very stiff hull, with righting moments beyond full capsize. But with moderate draft (4’ 2”), and ballast relatively high (compared to modern yachts), the motion of this schooner will be much gentler than for most yachts. Strongly raked, free standing masts of moderate height also indicate gentle motion.

Accommodation is for four people, with a large settee available for a fifth. The design also includes a cargo hold/food pantry with a second large optional integral water tank below it. The schooner will carry enough water, stores and fuel for long-range cruising. She will not be fast (hull speed is 8 knots), but she will be powerful, comfortable, and eminently seaworthy. She can go anywhere. She will stand up under her canvas, and carry it longer than most yachts. And the schooner rig has more options for carrying additional sail than any other rig. A little-known feature of free-standing masts is that by letting the sails out just forward of the beam, the vessel will steer herself downwind. And with the helm lashed on a beat, she will steer herself upwind. And the reef points will have full-length battens immediately above them.

Construction Sections for the Pilot Schooner 40

Whereas I often specify marine plywood for the diagonal planking, for this build we opted to use solid Port Orford cedar milled to 5/16’ X 5 3/8” planks – a convenient size for diagonal planking a very “curvy” hullform – also convenient to mill from Americas Woods’ available stock. The hull would employ solid Douglas fir and pressure-treated pine for the backbone – inner keel, apron, horn timber, knees, etc. Bulkheads would be 5/8” marine plywood, some of which were conveniently located at design stations. Remaining design stations were made from mold frames in the conventional manner.

I introduced Chelsea and our client to my friends at Hylan and Brown Boatbuilding, and we arranged for workspace in their yard, including help from one of their professional boatbuilders, and use of their large bench tools.

In July of 2020, construction got started, materials were ordered (epoxy and related products were shipped from Florida), and summer was in full bloom. Chelsea and I lofted the schooner’s design stations on two sheets of MDO plywood, the Strong Back was laid, bulkheads cut out, and design-station frames built. The frame was erected on the strong back, and with backbone, sheer clamps and bilge stringers, the hull began to take shape. I worked hands-on in the beginning, then shifted to advisory status as the work progressed. Finally, Chelsea kicked me out because I was old and in the way!

The Pilot Schooner 40C hull in frame

By early Fall, the bare hull was planked, without stem, outer keel, or sternpost. At that point, with cold weather rapidly encroaching, Chelsea had to decide whether to store the hull in a friend’s barn for the winter, or have it shipped to my shop in Florida, where she could continue working on it. She decided on the latter, which would include hiring my late partner Bill Smith to help her, fabricating all metal parts including a steel box keel for outside ballast, help with cabinetry, systems, etc. I would help part time with spar-making, rigging, machinery, and systems also.

The bare schooner hull arriving at my shop in Riverside Marina, Florida

When the hull arrived in Florida, we unloaded it, plus various remaining supplies. We blocked the hull upside down in my work space, and began organizing our seasonal work plan. Chelsea arrived soon after. And at that point, our client pulled the plug on the project, for reasons that were never explained, and left the three of us without work. This destroyed the very tight schedule that would be required to accomplish our goals through the winter work season. All three of us had arranged our lives around this project, and suddenly we were left swinging in the breeze. This was particularly devastating for Bill, who had cancelled other work projects for this one, and was left suddenly unemployed.

Many weeks went by, with Chelsea trying to get the project back on track. In the end, our client – really Chelsea’s client – made a number of severe and vulgar accusations against Chelsea, causing her severe stress and unhappiness, and completely terminating the project. He abandoned the whole thing, leaving the hull stranded in my work space. He declined to pay rent on the space, refused to reclaim his property (we were all owed money), and terminated all communication.

Eventually we had the hull moved to my friend David Halladay’s “Boatsmith” facility in Jupiter, Florida. My late partner, Bill Smith, had made the steel box that would contain outside ballast, which was also moved to Boatsmith.

At the time of this writing, in early February of 2024, the hull is likely to be moved again, this time to a friend’s storage facility in Tampa, Florida.

The purpose of this article is to offer this project to someone who has the resources, abilities, and drive to complete it. I am offering the bare hull, with the box keel, for sale for $10,000. The package includes a full set of plans for the project.

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IBIS — THE DREAM SURVIVES

IBIS—A PACIFIC NORTHWEST SHARPIE IN THE BAHAMAS

By Reuel Parker

Around 1991, Jon Eaton (my editor at International Marine Publishing) suggested that I write a book about sharpies. He knew I was a fan of the type (inshore fishing/oystering/crabbing boats), and I gladly accepted the assignment.

I researched the history of sharpies in various museums and historical societies on the US East Coast, from Mystic Seaport to Miami. I already owned many books, pamphlets and government papers about sharpies, especially from marine historian Howard Chapelle.

During one hectic summer in Rockport, Maine, I wrote the text and designed (adapted, really) all the examples for The Sharpie Book. I edited through hundreds of my construction photos, and made additional drawings to illustrate the history and construction of the boats—both using traditional methods and contemporary “cold-molded plywood/epoxy” techniques. I published the designs with their Tables of Offsets – giving them to the world.

The 19-foot sharpie GATO NEGRO sailing in the Florida Keys

During the years prior to and after writing the book, I designed and built several small sharpies. The first sharpie I built for myself—around 1988—was the 19’ Ohio sharpie GATO NEGRO, which I built in my small boatyard in Islamorada, Florida Keys. Although I have continued to design many more sharpies, both large and small, I had never built and owned a large cruising sharpie myself… until starting to build IBIS in December of 2007.  

My shop and office trailer for building the 45’ sharpie IBIS in St. Lucie Village, FL

Because many waterfront marinas and boatyards along the east coast have been bought and converted into condominiums, it has become increasingly difficult to find a slip for a cruising boat without also purchasing a condo. It occurred to me to create a new design series that I called “Maxi-Trailerable Boats”—shoal-draft sail- and power-boats limited in length to about 45’, 10’ beam, and 15,000 lbs maximum displacement. Vessels of that size can be carried on standard 3-axle 40’ trailers (manufactured primarily for the sportfishing industry). This represents the maximum size vessel that can be transported on federal and state highways with a permit, but without requiring escort vehicles. Using a commercial tow truck, an individual permit is not even required. With tabernacled masts, the rig can be taken down or set up in a matter of a few hours. Thus you could take your cruising boat home with you, or transport her to your desired cruising location.

IBIS completed, on the trailer—centerboard to left; tabernacle A-frame on the bow

My design concept was that you could store and maintain your boat at home (or at an inexpensive storage lot inland) and launch/haul her at a local boatyard using a Travel-Lift or crane, or at a launch ramp using a large four-wheel-drive truck. You could eliminate slip rent and boatyard storage fees, saving several thousand dollars per year.

To promote the concept, I decided to build a prototype. I chose the Straits of Juan de Fuca Sharpie design for my conceptual “point of departure”, because my design adaptation of the 1880s original model (included in The Sharpie Book), seemed like a good choice. These vessels were halibut fisherman—double-ended, gaff-rigged schooners about 36’ in length. Chapelle considered them to be one of the most seaworthy of all the sharpies. The only other popular double-ended sharpie—Commodore Ralph Munroe’s famous EGRET—was from the same time period and also had a reputation for seaworthiness.  

Drawing from these inspirations, I created a 45’ sharpie hull, with 10’ beam and 2’ 6” draft. The hull employed elements of both designs. A big advantage of the long, narrow, flat bottom was that I could employ enough rocker (fore-and-aft curvature) to achieve standing headroom in the cabins. Also, double-ended hulls are often believed to be more seaworthy than other types, and they are “easily driven”, achieving hull speed with a minimum of energy—either from sails or auxiliary power—due to low wetted-surface.  

The result was the schooner IBIS, which I launched in early 2010. IBIS was designed to be a live-aboard cruising sailboat, ideally suited to the shallow waters of the US East Coast, the Florida Keys, and especially for the Bahamas.

IBIS anchored off Lee Stocking Island, Bahamas, in two feet of water

(aground at low tide) – we were able to walk ashore!

Although I have sailed several shoal-draft cruisers extensively in the Bahamas, I had never sailed a true flat-bottomed sharpie there. Indeed, I had never owned or even sailed in a large sharpie at all. Hence, in late winter of 2010, I sailed IBIS down the Florida coast to Key Biscayne, across the Gulf Stream, and down through the islands. That first trip was fraught with problems—the heat exchanger broke; one of my inexperienced crewmembers backed over the dinghy painter and pulled the prop shaft right out of its coupling; the pump-out for the holding tank got plugged up; and we had a personality conflict between two crewmembers which resulted in one of them flying home from George Town, Great Exuma. Nonetheless, we had an overall good cruise, and learned a lot about taking a sharpie out in the open ocean.

IBIS handled 4’ to 6’ seas surprisingly well on a beat or close reach (she did pound pretty hard at times), and was fantastic from a beam reach to a run. My tactic for achieving “Easting” in the strong Trade Winds was to motorsail under jib and reefed mains’l (or under reefed fores’l alone), pointing as high on the apparent wind as I could. In winds around 25 knots, and 6’ to 8’ seas, I learned to fall off and slow down to 7-knots (IBIS sails and motors at 8-knots easily), making 100-degree tacks under double-reefed fores’l and diesel. In wind and seas beyond that, working to windward became impractical, and we anchored in some protected cove or creek to wait for gentler conditions (which is what most people would do anyway). A happy surprise was how stiff she sailed in all wind conditions and points of sail. And her helm was perfectly balanced after some modifications.

IBIS under full sail in the Trade Winds; note her ground tackle and side davits

(and yes, the crew are naked)

I took IBIS to the Bahamas four times, and sailed her in many conditions. I was very impressed with her abilities, and realistic about her shortcomings. Overall, I am now convinced that a well- designed and –built big sharpie (with self-righting ability) is an excellent choice for cruising the islands. I did not find myself overly restricted—only the really hard-core sailors will beat to windward in seas over 8’, or winds over 25 knots. Patience is always required in cruising. On the other hand, the ability to sail in less than three feet of water really opens up the possibilities for cruising anywhere! But especially, in the Bahamas, we could explore shallow, seldom-visited creeks, cross tidal flats that dry out at low tide, and access dozens of safe, quiet, remote anchorages that very few other boats could even dream about! We entered 3-foot-deep Alligator Creek on the north end of Cat Island to watch baby sea turtles race in front of us! Note that IBIS’s hollow box keel is full of lead bricks – she is fully self-righting.

In late 2013, I sold IBIS to a 60-year-old New Jersey surfer. He cruised in the Florida Keys with her, which I had never found time to do (see photo). He also defaulted on her owner-financed payments, forcing me to re-possess her at great cost and expenditure of time! He abandoned IBIS in New Jersey, and I had to make repairs and sail her single-handed back to Florida in December. The trip was a nightmare of bad weather!

IBIS sailing in the Florida Keys

Back at Riverside Marina, where I built her, I restored IBIS and sold her again, to a family in North Carolina. I agreed to sail IBIS to the Bahamas one last time, and to teach her new owners how to sail her in the most idyllic setting on Earth. I had a lovely Canadian woman as crew (my three first mates on IBIS have all been Canadian women), and we had an excellent cruise. We then delivered IBIS to her new owners in New Bern, North Carolina.

As fate would have it, the new owners had some problems that precluded their dreams of living and cruising on IBIS, and she sat abandoned in her slip for the next seven years.

Last Spring (of 2023), I was finally able to visit IBIS, and obtained a slip in her marina for my new Commuter 325 PANTHER. The family who own her joined me there, and for a week we worked on pumping out flooded compartments, throwing out rotting garbage, killing millions of roaches, and rescuing sails and upholstery where possible. We did a massive cleanup and salvage operation, and lowered IBIS’s masts. We then hauled her out at Duck Creek Marina (a truly great little boatyard), where she got her bottom scraped and cleaned. After I left to proceed home to Maine for the summer, IBIS’s owners continued working on her, and arranged to have her trucked back to Riverside in Florida. Our mutual plan was to restore IBIS this winter (’23-’24), and sail her back to the Bahamas in March of 2024, where she would remain year-round, under their ownership. I was to take them sailing when they could come, and have IBIS for myself for part of the winter.

Since I published this post, I have learned that IBIS’s owners have had extenuating circumstances that caused them to be out of touch for six months. They have asked me to remove their names from this post, which which I have done.

A new solution has been found — IBIS is being adopted by a family of four, to be restored and sailed again! Her new owner is a museum quality boatbuilder, with the skills and means to restore IBIS and use her well.

I want to thank the many people who have contacted me about IBIS. THANK YOU!

Sailing from the Banks into Exuma Sound at Leaf Cay, Bahamas

Reuel Parker — 1/12/2023, and 2/16/2024, Saint Lucie Village, Florida

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The Isla del Mona Expedition

By Reuel Parker

The author’s first cruising sailboat, FISHERS HORNPIPE

On June 7th at 1830, we left Puerto Plata, Dominican Republic, to continue our long beat eastward. Our destination was Mayaguez, Puerto Rico. That first night—perhaps you have noticed that we almost always began voyages at night—was a very rough beat in 20 knots of ESE wind. An hour out we blew the tack pennant on the genoa jib, and had to wrestle it down in the moonlight, then put up the yankee and the stays’l. We were carrying a lot of sail, driving the boat very hard, trying to make good time and close tacks. Early the next morning the wind eased off a little, and the sailing was gentler. We beat to windward for three days, having all kinds of wind from calms to squalls, and finally tied up to the Commercial Wharf at Mayaguez. The Mona Passage had lived up to its notorious reputation—rougher than shit and full of freak waves, unpredictable winds and dangerous currents.

The Mona Passage, between Hispaniola and Puerto Rico—a place of strong winds, powerful and often unpredictable currents, and rough seas. Boquerón, which we visited longest, is in the SW corner of Puerto Rico, just above Cabo Rojo.

The reasons for night departures are several: Often a passage is likely to be longer than twelve hours, making it impossible to enter a new, unknown harbor in daylight. Entering in darkness is manifestly risky—even if a harbor has well-marked channels with lighted buoys, the mariner simply cannot see all possible dangers. Also, port officials do not generally work at night, and in some countries, it is frowned upon, if not illegal, to enter a port without clearing in almost immediately. Finally, night winds, in much of the world, are gentler than day winds—hence seas may be smaller and gentler too.

We were all immediately intrigued with Puerto Rico. The people are proud of their reputation for hospitality, and they certainly proved it by us. Virtually everyone we met was kind, warm and generous. People seemed to always go out of their way to be helpful, and this was true of everyplace we went on the island. Quite a contrast to some of your New York City ‘Ricans! (I say this having had a knife to my throat, having been robbed, and having been beaten up because I couldn’t speak Spanish—all in New York.) What was also intriguing was knowing that we were Americans in America—sort of—and that Spanish was definitely the national language. I fell in love with Puerto Rico, and will always return there.

On the 12th we sailed down the coast to Bahia de Boquerón, and anchored off the village. We had wanted to visit quaint Puerto Real—but the harbor looked too narrow and shallow to me from sea, and I chickened out. Some of our cruising pals were at Boquerón—Satisfaction and Allonz-Y—and we soon made friends with the people on boats that were new to us.

Everyone was talking about Isla del Mona, in the middle of the Mona Passage between Hispaniola and Puerto Rico, and I wanted to go visit it. None of the other boats had dared attempt a visit—in addition to the rough, potentially dangerous passage, Mona has no real anchorage. The island, roughly seven miles in diameter and more or less round, consists primarily of steep, rocky cliffs. Only on the west side—usually the lee side in the easterly Trade Winds—is there a beach, protected by a small reef which forms a tiny basin. There is a single, narrow break in the reef, through which it is just possible to run a small vessel. Once inside, you must round up and anchor immediately, and there is only room for two or three small boats. If for some reason the wind shifts to the west—which it can do during storms—any vessels in this anchorage find themselves right on a lee shore, with virtually no protection from storm seas which sweep over the narrow reef and break across the basin. You can see why no-one goes there. So we had to!

As we talked about our proposed adventure in the anchorage and in the village, we soon found many others who wanted to go also, but had been afraid to. So we put together an expedition crew, which consisted of the following:

Fishers Hornpipe     Paul, Loretta, Stacy, Reuel

Satisfaction            Shawn, Cheryl (12-year-old twins)

Allonz-Y                 Irene

Nail Cakes             Jim

Blue Boat               Ross

Boquerón Village    Minerva

Ten people was quite a large crew for the Hornpipe—but the tropical weather was such that most of them would sleep on deck. If it rained, we had the settee in the great aft cabin, which could sleep three, and we could sleep six in our cabins, assuming people didn’t mind sharing berths. I admit that I wanted Minerva to share mine, but she wasn’t interested. I later learned why, possibly, when I met and became friends with her ex-boyfriend and father of her son. She was still working things out with him, it seemed. Or perhaps she just knew better than to get involved with a transient hippy sailor who would soon sail away. Finally, there is the distinct possibility that she was only interested in becoming friends with me, and nothing more. I asked her if she had any interest in cruising, and she replied that it just wasn’t something she wanted to do then, particularly with a six-year-old. 

I first saw Minerva sailing across the Bay (Boquerón is quite large) on her Sunfish in a 20-knot trade wind breeze. She was wearing a bikini, and was hiked way out to windward to hold the hull of her little boat flat to the water so it would plane. She was leaning way back over the water—so far that she could dip her head and long black hair into the sea. She was so alive and so beautiful and so totally a sailor that my heart jumped into my throat and thumped like hell. I was out sailing in Gandy Dancer, and though I tried, I couldn’t catch her.

On the 16th at 1915, we departed Boquerón with our crew of ten and sailed to Isla del Mona. The passage was rough in confused seas, and we rolled heavily running downwind wing and wing, although the winds were pretty light—around 10 knots. At 0340 we came right up on Mona—having never seen the tiny light on the cliffs—and had to jibe quickly to run north around the island. As we ran along the vertical gray cliffs that encircle most of the island, we could see, even in the dark, that they were riddled with caves. Above, there was verdant tropical vegetation pouring over the cliff tops. At 0640 we carefully entered the tiny basin and anchored. The view we saw with the rising sun was one of the most beautiful imaginable.

Isla del Mona (Puerto Rico). We anchored in Anclaje Sardinera, off the ranger station. The island is riddled with caves, giant Iguanas, and is a National Park. 

Since I had been up all night, I went below to my cabin to get some sleep. We had caught a fish on the way in, and someone was cleaning it on deck above my cabin, after which they dumped a bucket of salt water on the deck to rinse off. Fishers Hornpipe has portlights set into her hull just below her rubrails, and the one in my cabin was open to get some fresh air. I woke up with a shock, screaming bloody murder as several gallons of salt water, fish guts, blood, and scales came cascading all over my naked butt—to say nothing of my bed!

It took two trips in Gandy Dancer to ferry everyone ashore—though a couple of people swam in to the crescent white-sand beach. On shore we met the island’s Puerto Rican park-caretaker, who was fluent in English. Paul—a lifelong fan of iguanas—immediately wandered off in search of some. He quickly came back, holding his hands as far apart as they would go, looking a little dazed and muttering strange imprecations…. The park ranger started laughing—he knew Paul had seen a legendary giant iguana!

The ranger (only inhabitant of Isla del Mona) took us to see several of the famous caves. This time we remembered to bring flashlights! The caves were huge, amazing, and plentiful. Indeed, the whole island was riddled with caves, and we later heard of a legendary secret expedition in which some geology students from Puerto Rico had traversed the whole island underground through caves, having to accomplish large parts of the journey with scuba gear.

We took long walks in the jungle rainforest, and the plant and animal life were astounding. I felt as though I had stepped back in time a million years. I remember looking into a huge bromeliad, full of rain water, and seeing a tiny multi-colored frog the size of my little fingernail. I realized that each bromeliad contained its own miniature eco-system.

During all my travels to remote places in Fishers Hornpipe, I became more and more convinced that the most important challenge facing humanity is the preservation of the Natural Earth, of biodiversity, and of wilderness areas for their own sake. These feelings were not new—they were fundamental to everyone at Starhill—but they were growing ever more important, ever more urgent, in my mind and spirit. [They continue to do so.]

At 1805 we regretfully left Isla del Mona, and began the long night sail to windward back to Boquerón. Just as I started the Hornpipe’s diesel, the raw water pump died, spraying salt water all over everything in the engine compartment, and I had to shut it down. I explained to everyone that we had just become a “true” sailing vessel. We would have to leave this very tight spot under sail alone, and beat back ‘home.’ We raised the main, paid out the main sheet so we would be able to turn downwind to get out, and had crew ready to raise jib and stays’l the moment our anchor broke the surface. Which turned out to be a problem, as the anchor wouldn’t let go of the bottom! This time Paul was spared, as Shawn immediately jumped overboard. Not only did he free the anchor, but he also came up with a large “bug” (spiny crayfish), proclaiming excitedly “they’re all over the place down there!” We slipped the “bug” surreptitiously into a bucket and I told Shawn to leave the others in peace—we were, after all, in a park, and all wildlife was protected.

Once again in the Mona Passage, we had a rough ride in the intersecting cross-seas and swirling currents. But Jim took that bug below and made lobster crepes! He was a real trooper to cook under those conditions, and I wasn’t surprised when he hurried on deck and tossed his cookies. Jim was a commercial fisherman—you know it’s rough out when a commercial fisherman barfs! We tacked into 15 to 20 knot trade winds all night, and at dawn, as we approached Puerto Rico, the wind died. We were 20 miles from Boquerón, and we couldn’t get there! We would catch a puff and start sailing only to have the powerful currents carry us away. We tried different approaches—went back out in the Mona Passage and tried to find lasting wind. We tried to find less current. Nothing worked. It took us 15 hours to cover the last 20 miles! Finally, at 1820, we anchored off the village, and a very tired—but not unhappy—crew went home for a long sleep.

Loretta had a troublesome love affair in Puerto Rico, and ran out of money at about the same time. She left us to go work in San Juan, the capitol city on the north coast. She was gone, but not forgotten, and we got back together later, thousands of miles away.

Puerto Rico, Isla Culebra and Sondo Vieques. Isla Caja de Muertos, which Paul and I explored, is in the middle south coast. We cruised all but the north coast.

Paul and I had been eyeing a very beautiful 30’ sloop beached by one of the previous year’s hurricanes—and we were so reminded of Tony’s Malabar Jr. Imagine that we started planning how we might save her. The boat was rough, but structurally sound, as the storm surge had simply put her up on the beach unharmed. It turns out she had been the last boat built by an elderly master shipwright in Puerto Real, who had since died. The little sloop had been used as a commercial fisherman, and had a large diesel engine in her—and nothing else. After asking around town, we located her owner, who offered to give her to Paul if we would remove her diesel and return it to him. Someone else had taken her sails, and told us we could have them back. Another man who had a restaurant nearby told us we could restore her in his yard—for free—and that he would help us buy materials for the work. I made some drawings for converting and restoring the sloop as a pocket-cruiser, and Paul became very excited about having his own boat. Unfortunately, when he called his folks back in the states to ask for money to finance the project, they said absolutely not. We sadly had to thank everyone for their kindness, and leave this rare jewel to rot on the beach.

The new raw water pump for my diesel cost $130 to replace—and I was lucky to find one. We stayed a month in Boquerón, and became so comfortable there that it was difficult to leave. We even left one time, spent the night in La Parguera, and came back, as Paul became sick.

While in Parguera, we met up with a woman introduced to us earlier by Minerva, who was attending the oceanographic institute there. She gave me a guided tour of all the marine biology projects, and that night she took us to Bahia de Phosphoro—the most phosphorescent place on Earth—in her outboard-powered skiff. It was a dark night, with no moon, and I stayed on the bow watching the lightning flashes of fish darting out of our way. Then she anchored, and we all took our clothes off to swim. I will never forget the beautiful glowing image of her naked body as she dove into the crystal clear water.

From THE VOYAGES OF FISHERS HORNPIPE, by Reuel B. Parker

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CIRCUMNAVIGATING SOUTH FLORIDA

By Reuel B. Parker

The Commuter 325 PANTHER

Determined to downsize and hopefully simplify living on a boat, I decided to adapt one of my Commuter powerboats for my own use. I had to sell my 57-foot motorsailer PEREGRINE because I went broke completing her build. She was meant to be my ‘final solution’ – my retirement home. But she is a big boat, and in my 70s I found that she was more than I needed. Also, finding crew had become more and more difficult, particularly in the time of Covid 19 and its aftermath. After a year of trying, I finally sold her at a grave loss, but at least I sold her to the right man for her.

          In early 2022, I modified my Commuter 32 design for my personal needs. I lengthened her six inches, increased her beam and draft slightly, modified her galley, cockpit and helm, and added a modest pilothouse. I deepened her forefoot, adding more V to the bow sections, and added bilge keels (which had previously only been optional).

          I began construction that same winter, completing the basic structure in my shop in Fort Pierce, Florida. I had a custom trailer built, and when the Florida weather became unbearable, I towed the boat to my shop in Brooklin, Maine. There I installed her outboard, completed basic systems (electricity, batteries, refrigeration, plumbing, electronics, solar array, fixtures, through-hull fittings, ground tackle, etc). I made and upholstered cushions and mattresses, installed all windows, portlights and hatches, and finished all tanks. I primed and painted the hull, decks and house. I installed deck hardware, stern davits and rubrails. I painted her interior and started on her mahogany trim.

          Because PANTHER (as I named her) was now heavier, I hired professional truckers to tow her back to my Florida shop for completion. When I got there myself, I finished her interior, including many details which I hadn’t completed in Maine before it became too cold to continue working there.

          On December 21, 2022, I launched PANTHER at Riverside Marina, and moved her to a slip. I had never owned an outboard-powered boat anywhere near this size, and I admit there is definitely a learning curve to be mastered regarding maneuvering in tight spaces. Fortunately, I made it into my slip without any damage, but I was definitely shitting bricks!

PANTHER being launched at Riverside Marina – the author at right

On the 28th I took her on her first sea trial, beginning the process of perfecting running gear and finding the right propeller. I ultimately added spray rails forward (she already had rails aft), electric trim tabs, an aftermarket cavitation plate, and a transom wedge.

          Around this time, I took her on a real cruise – the circumnavigation of South Florida. I ran the Intracoastal Waterway down to Miami, greatly enjoying not having to stop and wait for bridges (there are over twenty-five of them!). I anchored in Lake Wyman (near Jupiter) that first night, and in Key Largo off Pumpkin Key the second night.

Miami from the water

On the third night I anchored behind Lower Matacumbe Key, off the Lorelei bar and restaurant, which had been a popular hangout for me when I lived on nearby Windley Cay in the mid-1980s. Because of notoriously poor holding, I dragged anchor all night, having to re-anchor in the dark, and then awakening before dawn to find myself in an altogether different place! I have always had great luck with Lewmar Delta Plow anchors, but the Danforth might have worked better in that situation. I was also carrying a large grapple, because Bahamian fishermen use them to anchor on slick sandstone.

The Lorelei, on Lower Matacumbe Key

I worked my way down through the Florida Keys, staying north of the islands until nearing Key West – then running south (outside) in the Hawk Channel, after Bahia Honda.

I took on fuel at Cudjoe Gardens Marina on Cudjoe Cay, which was tucked up a narrow, twisting channel I had trouble finding. Getting there, I crossed places where I had to tilt my motor up, and still churned my way through coral mud – very shallow!

Cudjoe Gardens Marina, on Cudjoe Key

Later that day, after getting lost briefly, I arrived at Safe Harbor Marina on Stock Island (just east of Key West), where I used to live many years ago. I rafted to SOUTHWIND, which my late boatbuilding partner Bill Smith had worked on previously. She is owned by my close friend Wayne Fox, who runs three schooners I designed as charter boats for Danger Charters. Right next to SOUTHWIND’s slip, my boatbuilding apprentice Chelsea Ragland was living with friends. We all had great visits – but after many fun days, I departed and anchored at Boca Chica Key, just north of a bridge for The Overseas Highway, which I was just able to squeak under. I had wanted to continue north, but felt that conditions (wind and seas) were a little too rough.

PANTHER, like many powerboats, ‘searches’ wildly at anchor, veering back and forth in strong wind and current, and jerking hard at her anchor. I tried rigging a bridle, which didn’t help, and eventually ended up using two anchors set as far apart as possible to ameliorate the problem. I also found that paying out more scope — until all the chain was out and the nylon rode was on the bow roller — helped immensely to reduce the jerking.

I cruised up through Florida Bay, weaving among beautiful tiny keys through numerous shallow channels, to Cape Sable and the west coast of Florida. Later that day I reached the Everglades. I had never been to there before, and after seeing just a little of them, realized it would take much more time to really appreciate the wild beauty of the intricate bays, rivers, estuaries and channels. That first night, I anchored in First Bay, at the entrance to Lost Man’s River.

Rare white pelicans, in The Everglades

The Everglades – Lost Man’s River

The Everglades – Lost Man’s River

          Continuing on my way north, I stopped at Hamilton Harbor for gas. I was continuously shocked by gas prices at South Florida fuel docks, which ran as high as $6.15/gallon. On Jan 31st I anchored in Iona Cove, near Fort Myers, and entered the Okeechobee Canal the next morning. Crossing Florida via Lake Okeechobee was an adventure, as I had to pass through three locks getting to it, each raising PANTHER progressively higher, to reach the lake, at 18 feet above sea level.

An anchored sailboat completely surrounded by huge lily pads in the Okeechobee Canal

          I anchored the next night off Moore Haven, in the west edge of the Lake. I anchored and backed up to tie PANTHER’s stern to a piling, off to the side of a very narrow channel surrounded by miles of freshwater plants growing in shallow mud. On the lake shore was a small boatyard by Alvin Ward Park.

My anchorage on the west edge of Lake Okeechobee

I crossed Lake Okeechobee through miles of fresh water and lily pads to reach the canal opposite, descending to the Saint Lucie River. Lake Okeechobee is the third largest natural lake in the U.S, covering 448,000 acres (730 square miles), with an average depth of eight to nine feet. The Lake is 45 miles in diameter with 135 miles of shoreline. There are protected canals around parts of the Lake’s perimeter, which I didn’t use, as the weather was calm. In the middle of the lake, I was out of sight of land.

Starting across Lake Okeechobee

I rode down three more locks that day, having a couple of long waits for maintenance. At Port Macaya Lock they were cleaning manatee sensors, and the Indiantown Railroad Bridge was temporarily closed for repairs. I stopped for an hour at River Marina for a visit with my friend David Halladay (Boatsmith) in Stuart. That night I anchored in beautiful Peck Lake, a nature preserve, before returning to Riverside.

          Engine running time for the trip was about 750 hours, for a cruise of over 700 miles. Total fuel consumed was about 180 gallons, at a cost of nearly $950. I was learning that cruising in a small outboard-powered cabin cruiser is an expensive mode of travel. Nevertheless, the journey was unique for me, with many new sights (as well as familiar ones), and some special visits with dear friends. It was a great adventure!

July 2, 2023 – Reuel B. Parker

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The Shoal Draft Alternative

THE SHOAL DRAFT ALTERNATIVE

By Reuel B. Parker

The author’s first designed and built shoal-draft cruiser—The Exuma 44 TERESA beached at Paradise Island, Bahamas in 1986

I began designing shoal-draft cruising sailboats in 1983, specializing cold-molded wood/epoxy construction, and I have consequently designed more than fifty over twenty-one feet in length. Of these I have built twelve, and been involved in the construction of another five. The first of these was the Exuma 52 SARAH, which I built in Fort Pierce, Florida, in 1984, for the Polvere family. From the hundreds of plans I have sold for big cruising boats, dozens have been built, varying in length from 21-feet to 75-feet. For shoal draft boats under 21-feet, hundreds have been built all over the world. Most of these are sharpies, plus a number of scows, periaguas, Sea Bright skiffs, prams, garvies, and dories. 

My first cruising sailboat was a heavy-displacement deep-keel cutter. I built her on a California beach in the mid-1970s, and sailed her some 35,000 miles to twenty foreign countries in the Pacific, Caribbean and Atlantic oceans. When I sailed to south Florida in late 1980, I was very tired of running aground, and ran aground more than ever cruising the east coast, the Bahamas and the eastern Caribbean. I decided to try shoal draft for my next boat, and I never looked back. 

FISHERS HORNPIPE, the author’s first cruising sailboat, demonstrating the woes of deep draft at Norman’s Cay, Bahamas, in 1982; 

She was destroyed by Hurricane Maria at Isla Vieques, Puerto Rico, in 2007 

My first personal shoal draft cruiser was the 44-foot cat schooner TERESA. I built her in cold-molded wood/epoxy, in Islamorada, Florida Keys. She was absolute simplicity, and I lived aboard and sailed her extensively for several years before selling her. She was fast, weatherly, dry—and had a draft of 2’ 8” board-up and 6’ 1” board down. With her free-standing masts and cat schooner rig, and only two working sails (plus a light-air “kite”), she was easy to sail single-handed, and is the only boat I have ever owned that steered herself downwind. By letting the sails out forward of the beam, whichever sail caught more wind pushed her back on course. On a trip during a norther—returning to Florida from the Bahamas—TERESA steered herself in 25 knot winds and 6- 8-foot seas, making an average speed of 10.4 knots against the Gulf Stream.

I cruised the Bahamas in TERESA twice—in the winter season of 1985/86 and in April/May of 1987. I discovered that with her draft of 2’ 8” she could navigate mangrove creeks, small-boat channels, and cross sand bars that were dry at low tide. Running aground was no problem because she remained upright. I often beached her using the centerboard to hold her in place while we went exploring. The degree of freedom and safety this gave me was nearly a religious experience. 

The cat schooner TERESA sailing wing and wing on the Bahama Banks

TERESA had two Yamaha 9.9 horsepower four-stroke outboards in wells for power, and when they were tilted up, she had plugs for the hull which made her counter stern completely fair. With nothing dragging in the water, her speed under sail was phenomenal. With the outboards she cruised under power at 8.5 knots, and we tended to pass everything we encountered in the Intracoastal Waterway. People were shocked to learn that she was powered by small outboards. I sold her in May of 1988, and she was destroyed in 2019 by hurricane Dorian at Man’O’War Cay, Bahamas. 

Cruising the northern Bahamas, I discovered that TERESA could run through the inside passage for the infamous Abaco Rage, saving having to go to sea to round Whale Cay in rough conditions. Sailboats with even 5-feet draft cannot do this, and must either wait for fair weather or beat to windward in powerful Tradewinds and large seas. All my subsequent shoal draft cruisers were able to repeat this remarkable feat. 

The author’s pilot schooner LEOPARD effortlessly making 12-knots on the Bahama Banks

My next shoal-draft cruiser was the 61-foot (75-foot LOA) Virginia Pilot Schooner LEOPARD. She was to be the epitome of cruisers for me—I intended to sail her back to the Pacific—but in early 1998 I was diagnosed with stage four cancer, and had to give her up. Her draft was 4’ 0” board up, and 10’ 6” board down. She was very powerful, very fast, and was also surprisingly weatherly. She was all the proof I needed that shoal-draft cruisers could do anything I could possibly want a sailboat to do. She routinely sailed at 11- and 12-knots, and even hit 15-knots GPS a couple of times. She won the Chesapeake Bay Great Schooner race in 1994. To prove her seaworthiness, I took her out into the North Atlantic in a full gale with stays’l and double-reefed fores’l and mains’l, and drove her to windward in 8- to 10-foot seas. She ran fast and dry until we punched into a large, breaking freak wave above a sea mount—but by then she had already proven herself to me. 

I sailed LEOPARD to the Bahamas in 1995, ’96, and ’98. She survived Hurricane Georges in her slip in Key West while I was undergoing radiation treatment for cancer in Maine. My third cruising sailboat, IMAGINE, which I had sold, was destroyed in that storm. (She was a 1926 Alden Malabar Junior sloop, which I had restored—see “A Story of Priorities” WB #65.) 

Taking LEOPARD through the very shallow South Bight of Andros in 1996;

Crew from left to right are Amy McGee, Scotty Folger and Christine Parrish

During LEOPARD’S first trip to the Bahamas, I navigated the South Bight of Andros for the first time, and was impressed by how unique an experience it was. The Bights of Andros are estuarine channels that completely cross the largest island in the Bahamas. The Bights are over 25 miles long, very shallow, and require playing the tides carefully. It was during my first few passages through South Bight that I determined four feet was the absolute maximum draft for a versatile cruising boat. Andros has the world’s third longest barrier reef, but exploring it from inside requires a draft of considerably less than four feet. LEOPARD could not do it. 

The author’s third shoal-draft cruiser T’IEN HOU on the Maine coast

(Photo by Tom Lokocz Adams)

When it became evident that I was going to survive cancer, I designed and built a 52-foot cruiser (65-feet LOA), with a retracting wing keel. T’IEN HOU was by far the most comfortable home I have ever had—on land or on sea. I originally designed and built her as a three-masted junk-rigged “lorcha,” but when I figured out that I was neither Chinese nor Portuguese, I converted her to a ketch, with twin heads’ls, gaff main and sprit mizzen. She was dry and weatherly, and performed very well in everything from light air (being easily driven) to gales at sea. Her hull design was based on the large Sea Bright Skiff models of the early 20th-century. 

The retracting wing keel was a design experiment that worked incredibly well, but lacked the important quality of a centerboard to be pushed into its trunk when running aground. The wing keel was made from welded steel with lead ballast inside, and weighed 3,500 lbs. It increased draft from 3’ 2” to 5’ 1”—which was much more effective than one would expect because of the delta wing. With the keel deployed, weatherly ability was excellent, and when retracted the keel lay flush to the underside of the wide box keel. Both the fin and delta wing were designed to NACA 0009 foil shapes, with the delta wing “upside down” to pull to windward when heeled. 

T’IEN HOU’S retracting inverted wing keel

Twin ATV winches on deck to raise the wing keel;

The device between them is a Dorade ventilator/skylight

I sailed T’IEN HOU to the Bahamas in 2002, ’03, ’04 and ’05, as well as to Maine and back several times. I explored the North and Middle Bights of Andros for the first time, and have used these beautiful estuaries many times since to access the southern Exuma chain of islands and beyond. I sold T’IEN HOU in February of 2007, and her new owner has sailed her extensively in the Caribbean. 

The author’s forth shoal draft cruiser, IBIS, in Joe’s Sound, Long Island, Bahamas

Because boatyards and marinas on the American coasts are gradually disappearing (being turned into condominiums), I decided to design some shoal draft cruisers—both sail and power—that could be trailered on generic 3-axle 15,000 lb capacity trailers. These would have a maximum beam of ten-feet, and a maximum “dry” displacement of 14,000 lbs. I decided to build one on speculation, to promote the concept, in 2007. The result was a 45-foot (53’ LOA) sharpie schooner based on the Straits of Juan de Fuca halibut fishermen of the late 1800s. IBIS is a true flat-bottomed sharpie, strongly built of marine plywood, epoxy and Xynole fabric, with a hollow box keel filled with lead. Her draft is 2’ 6” board up, and 7’ 10” board down. She is self-righting and a stiff sailor, with single-halyard gaffs for simplicity. Her masts are in tabernacles to facilitate trailering and exploring inland waters. I designed and built a new type of centerboard for her, on the principal that it would be ballasted and function as a fin-keel when fully deployed. I built it from steel, filled with lead and polyester resin, for a finished weight of 1,350 lbs. It required an electric winch to raise it, and it had a unique shape to facilitate its ability to function as a vertical fin keel. 

The centerboard required that a substantial part of it remain inside the trunk for lateral strength. The design exceeded my expectations during sail trials, and I have since designed several new versions based on the same principals, including several made from marine plywood instead of metal. I eventually redesigned the underwater shape such that it would have a true foil shape in any cross-section, regardless of how far it was deployed.  

The Sharpie 45SJI IBIS by the author showing her ballasted fin-keel/centerboard

I sailed IBIS to the Bahamas in 2010, ’11, ’12, and ’16, and was happy to learn that a modernized 19th-century fishing sharpie was well suited for cruising both in shoal water and the open ocean. In 2015 I scrapped IBIS’ steel centerboard and replaced it with a modified plywood one, somewhat lighter and with a more versatile shape. 

With a draft of 2’ 6” I felt I had finally reached the minimum draft practical for a cruising sailboat large enough to live aboard, make ocean passages, and shallow enough to go places few other boats could go. During those four cruises in the Bahamas, we encountered plenty of rough conditions in the winter Tradewinds—and in crossing the Gulf Stream eight times. IBIS could motor-sail to windward under jib and reefed mains’l, punching into 6- to 8-foot seas and 25- to 30-knot winds. And yes, she does pound pretty hard in those conditions, but it soon became evident that she could withstand more abuse than I could! 

A second-generation centerboard/fin-keel for IBIS made from lead-ballasted marine plywood

I sold IBIS to a family in North Carolina in 2016, and took them sailing in the Bahamas to teach them what she could do. With my first mate Rebecca McCleary, we sailed to many beautiful and remote places, and caught lots of fish trolling with Cuban “Yo-yo” reels and lures. IBIS was inexpensive and simple to build, and an absolute delight to sail. 

   Left: first mate Becky with a black fin tuna   Right: The author with a dolphin

In late 2016 I began construction on what I was certain would be my last big cruising sailboat. I sold my house in Maine to finance the build, and it took longer and cost much more than I anticipated. I chose a deadrise hullform (V-bottom) inspired by Chesapeake Bay “Buy Boats”—and by the designs of Long Islander Thomas Clapham in the late-1800s. The most famous of these is the “Roslyn Yawl” MINOCQUA, which inspired Thomas Day—founder of The Rudder magazine—to have designed and built his famous SEA BIRD yawl, which he sailed across the Atlantic in 1911. Above the water, PEREGRINE’s topsides are inspired by the beautiful Maine coast sardine carriers—and by the rig designs of L. Francis Herreshoff. 

I designed my hull to be long, narrow and shoal—53’ on deck (57’ LOA), 11’ 6” beam and 2’ 6” draft, board up. I built her in cold-molded marine plywood, covered with Xynole fabric and epoxy. It took 3,500 hours to build her, and she went $30,000 over budget—wiping me out financially. 

The author’s fifth shoal-draft cruising sailboat PEREGRINE on her mooring in Brooklin, Maine, in the summer of 2019

After sailing PEREGRINE to Maine and back in 2019, I decided that her draft was too extreme at 2’ 6”. I therefore designed and built a second keel—a shallow, low-aspect-ratio fin—to be retrofitted beneath her traditional “drag” box keel. I transferred some of my inside ballast into the fin, which I called a “torpedo keel” because that’s what it looked like, and I added another 2,000 lbs of lead, plus concrete and polyester resin to eliminate voids. 

PEREGRINE’S “torpedo keel”, which added ballast and greatly improved stability and sail-carrying ability

PEREGRINE has a big traditional centerboard—12-feet long by 3-feet high weighing 800 lbs. It is built of marine plywood over a core framework of Wolmanized pine, and filled with lead, kiln-dried sand, and polyester resin. With the new “torpedo keel,” the centerboard was shifted down 11-inches, making it even more effective, and increasing draft in the down position to 7’ 6”. The board has a NACA 0009 foil shape below the keel, and is rectangular in shape inside the trunk. It is raised by conventional block and tackle, and is a very simple and effective device. With her Marconi ketch rig and fully-battened sails, PEREGRINE is very weatherly for a motorsailer. 

I sailed PEREGRINE to the Bahamas in March and April of 2020. We were literally the last boat to enter the Bahamas at Bimini on March 17, as the whole country went into lockdown at 0500 the next morning. Because we were concerned about entering the Bahamas at all, we crossed the Gulf Stream in 15- 20-knot easterly winds with six-foot-plus seas. The ride was a little rough and wet, but neither difficult nor uncomfortable for PEREGRINE. We motorsailed under stays’l and mizzen, running the big Yanmar 4JH110 at 2,200 rpm to maintain a speed of 8.5 knots, very close hauled. The crossing took about seven hours, and we anchored off the dinghy dock just north of the Bimini Big Game club in four feet of water—out of the tidal currents. 

We crossed the Banks to Andros on the 18th, and navigated North and Middle Bights, which I had been doing since 2003 in T’IEN HOU, and later in IBIS. From there we had a somewhat dysfunctional cruise because of the Coronavirus, but still enjoyed ourselves. We sailed PEREGRINE in all kinds of weather, including a couple of pretty disagreeable northers, and I concluded that she was an excellent shoal draft cruising home—adept at both gunkholing and ocean passage-making. 

PEREGRINE in the Bahamas in early 2020

*   *   *   *   *Reuel Parker is a yacht designer, boatbuilder, photographer and author of books and magazine articles on maritime subjects (design, construction, sailing and history). He is a lifelong cruising sailor, and currently lives aboard PANTHER, his first personal cruising powerboat. He lives in Maine, South Florida and the Bahamas, and sails further as time and tide permit. You can see his designs at www.parker-marine.com. He regularly writes for WoodenBoat Magazine and Professional Boatbuilder Magazine, and has had articles in several others.